Brasilintime shows
Mochilla & Choice Cuts presents..
Brasilintime: Batucada Com Discos - The Live Showcase.
featuring special guests:
Tony Allen - Madlib - Ivan Conti
JRocc - DJ Nuts - Joao Paryhba -
B+ - Coleman
Friday May 2nd
The Tivoli Theatre, Francis Street, Dublin 8
Admission 25euro Doors 8pm - 3am
www.tivoli.ie www.ticketmaster.ie www.tickets.ie
Sunday May 4th
The Trinity Rooms, The Granary, Limerick
Admission 15euro Doors 8pm - 2.30am
www.ticketmaster.ie www.tickets.ie www.trinityrooms.ie
www.mochilla.com
www.choicecuts.ie
tickets on sale next week
This show is history in the making, cross-generational and
multi-cultural. This show will rely on the backbone of Afrobeat legend Tony Allen, Fela Kuti's drummer, recent collaborator with Damon Alburn on
'The Good, The Bad & The Queen' and in essence one of the most
important musicians of the last 40 years as per Brian Eno. Cited as creating the genre Afrobeat, Tony Allen is
no ordinary musician. Add two of Brasil's finest musicians Ivan Conti (Mamao) 1/3 of Azymuth, the collosal force in Brasilian and World
music who sold 100s of thousands of records worldwide and Joao Parahyba renowned percussionist with
samba rock band Trio Mocoto and backing band for Jorge Ben. Sprinkle this
with...Producer, MC, instrumentalist extraordinnaire...MADLIB... The BeatKonducta aka Quasimoto aka Yesterday's New Quintet aka
Jackson Conti and producer of the new Erykah Badu LP. Add your favourite
deejay saviour JROCC...the founder of The Beat junkies, arguably
the best club deejay in the world and place him alongside South America's
finest turntablist DJ
Nuts and this event becomes devastating. The Brasilintime DVD has just been released
officially worldwide and is selling by the thousands. We are proud to also
have B+ and Eric Coleman the creators of
this mammoth project in the house for the shows.
As there is so much going on with this show,
we have a brief synopsis on all artists performing with relevant articles
and links.
This show is a must for music fans around the
country!
Tony
Allen
Born in
Nigeria in 1940 of mixed Nigerian and Ghanaian parentage, Tony Allen is
perhaps the most highly-regarded African drum set player to emerge since
World War II. Drummers and other musicians of all backgrounds marvel at his
uniquely polyrhythmic style. Allen belongs on one hand to a tradition of
African drum set playing associated with the Ghanaian drummer Kofi Ghanaba
(Guy Warren), and historically rooted in British military drumming,
European ballroom dance music, big-band jazz drumming, and indigenous
percussion traditions. However, he is also an African exponent of the
African-American tradition of modern jazz drumming typified by musicians
such as Art Blakey, Elvin Jones, and Max Roach.
Tony Allen's formative years were spent digesting
these influences while apprenticing in various Nigerian bands during the
late 1950s, performing the pan-Anglophone West African popular music style
then known as highlife. But he came to international prominence in the
1960s as a member of the band of the late Nigerian bandleader Fela
Anikulapo-Kuti, with whom he played for 15 years. Fela Kuti is himself
recognized as one of the most important and influential African popular
musicians/composers of the post-colonial era, and it is widely accepted
that Tony Allen was his crucial collaborator in the synthesis of jazz, funk
and highlife which resulted in the style known as Afrobeat. Tony
Allen’s work with Fela is documented on over 30 recordings and today,
he remains the primary exponent of Afrobeat.
Tony Allen's own recordings, made since leaving
Fela’s band in 1978, are diverse in style and fascinating fusions of
Afrobeat with other styles of world popular music. These works find him in
the collaborative company of Nigerian juju musicians such as Fatayi Rolling
Dollar, electronica musicians such as Doctor L, American funk musicians
such as Michael "Clip" Payne and Gary "Bone" Cooper,
and musicians from around Africa and the Caribbean. After playing for years
in the shadows of better-known musicians, Tony Allen is now starting to
receive the worldwide credit he deserves as one of the most dynamic players
of the drum set. His recordings are widely available in Africa, Europe,
Japan and America and he also tours regularly throughout these same
areas.
Ivan Conti (aka Mamao of Azymuth)
is the drummer of Azymuth. He
started out visiting and sitting in with Edison Machado and Wilson das
Neves. Mamao was a drummer in the group The Youngsters a rock group
(Jovem Guarda) who backed up Roberto Carlos. He was already an
experienced session player when he met Jose Roberto Bertrami and Alex
Malhieros on the soundtrack session for O Fabuloso Fittipaldi with Marcos
Valle and Wilson Das Neves. One of the songs on the soundtrack gave
the group their name (Azymuth) and in 1975 they relesed their first album
on Som Livre – since then they have travelled the world many times
over with their distinctive style of “broken samba jazz”.
Mamao is an innovator – his polyrhythmic style has influenced many
drummers, djs and drum programmers. More recently he has done several
albums for FarOut records including Mamond, Partido Novo and Africa Brasil
with Grupo Batuque.
Joao Parahyba is the drummer of Trio Mocoto.
Mocoto (a slang for womens legs) are the musical root of
Samba-Rock a fusion of sorts between Brasilian samba and soul music rom the
US. Joao is a philosopher drummer, when asked to play in Brasilintime
he said “Aaaah I’ve been waiting for the opportunity to play
improvised music like this all my life, free jazz with DJs
perfect.” Joao’s distinctive high energy style has formed
the rhythmic foundation for many – most famously Jorge Ben (Jorge
Ben1969 and Forca Bruta) Tim Maia and Vinicius de Moraes. He
has spent his entire life studying and progessing music, his work with
partner Suba (Sao Paulo Confessions) ushered in a new era of
experimentalism – with its embracing of electronic musics.
Although Trio Mocoto had split up for twenty years they reformed in 2000
due to overwhelming interest in their music. Joao’s adventurous
spirit and wild playing made him the perfect choice for
Brasilintime’s MC and leader.
J-ROCC
JRocc is a southern California legend.
He is also a founder of the World Famous Beatjunkies. He has been
called the worlds greatest party dj by Scratch Magazine He has
released several mix CDs including Syndromes, Sex Machine and Syndromes 2
Remixed. He has Djed for everybody from Dilla to Mos Def to MF Doom
and tours frequently with the Beatjunkies. He is a member of the
Supreme Team with Madlib and Kareem Riggins. His first solo album
will be released by Stones Throw Records in late 2008.
MADLIB (Beatkonducta/Quasimoto/Jackson
Conti)
Madlib is from Oxnard
California. He is the nephew of Jon Faddis the famous jazz trumpet
player. He is primarily a producer/musician although he also raps and
can DJ really well. He first came into the eye of the public as the
MC and producer of Lootpack with a successful first album on Stones
Throw. Madlib has recorded two solo albums as Quasimoto: The Unseen
which has been heralded as a new breakthrough in the music. And more
recently he has been furthering his breakthrough with his group Yesterdays
New Quintet a jazz project which was released to critical acclaim in
2001. Subsequently he has done several solo albums for the individual
members of the Quintet. He has done remixes for Jill Scott, Bilal and
Jazzanova. He has produced three songs from the new Erykah badu
album. His collaboration with Ivan Mamao Conti entitled Jackson Conti
will be available in may from mochilla and Kindred Spirits. Madlib is
extraordinarily prolific and is rarely seen outside his lab in the hills of
Echo Park in Los Angeles. To say he is a phenomenon in the music is to
understate his stature.
DJ Nuts
DJ Nuts is the foremost turntablist living in Brasil today. His skills
mixed with the depth of his crates makes him unique in his home country.
Graduating from the school of “Yo! MTV Raps” - he began
DJ’ing under the tutelage of Marcelo Tudo Bom (producer of Racionais
MCs) in 1991. In 2000, he became the turntablist champion of Brasil. As a
producer he has done albums for Marcelo D2(Sony Music) as well as working
with Brasilian music legends Gilberto Gil, Planet Hemp, João Donato,
Trio Mocoto, O Rappa and Dom Um Romao. He has recently been touring Europe
with Gilles Peterson and Ed Motta. His solo album of collaborations
with the creme de la crème of Brasilian music (including Bebel
Gilberto, Lula Cortes and Thalma de Frietas) should be complete by late
2008.
Brian
Cross aka B+
B+ was
born and raised in Limerick, Ireland. He graduated the National
College of Art and Design in 1989 with a degree in painting. He came
to the US in 1990 and received an MFA in photography at CalArts.
While at CalArts he began work on “Its Not About A Salary: Rap Race
and Reality in Los Angeles.” which was published by Verso Books in
1993. Subsequently Cross has done extensive work in the music industry
photographing over one hundred album covers and directing several music
videos. He has photo-edited for Rappages (1993-1997) and Wax Poetics
(2004 - present). His production company Mochilla (with partner Eric
Coleman) has done many ad campaigns and produced four documentaries.
Keepintime: A Live Recording (2003) directed by Cross was bought by the
Sundance Channel. Brasilintime: Batucada com Discos (2007) his most
recent feature has premiered at CineSESC in Sao Paulo, Brasil and at the
American Cinematheque in Los Angeles. Cross continues to live and work in
Los Angeles. Ghost Notes a retrospective look at his work will be
published in 2008.



Comments