On a saturated summers night The Disconauts sheltered from a day of Limerick rain to muse on various musical manifestos under the guise of a short interview with cheebah.
The Galway based band with Djs Keith and Padraic on decks underpinned with live drums by Mark and augmented with Ben on brass have been a consistent live draw over the last 7 years. They are particularly well known and respected amongst the tenacious tribe that grew out of the house music movement from the early 90s. The Disconauts consistency as selectors and musicians is rooted in a deep commitment to knowing the craft of delivering Disco music in its true sense combined with a responsible mission to gather a new crop of space travellers to their cause each year.
Cheebah: Theres a great relationship between yourselves and Limerick and i know i should know this but how long - in what ever line up you care to mention - have you been playing here?
(Mark) We toured when we had a 12’’ out and our Limerick date was in Costelloes,11 years ago! I dont know was there even electricity then. i think we used footpumps.
Cheebah: You're as strong as ever, Can i ask is this a testimony to deep houses Irish longevity or is that a narrow definition of your sound ?
(Padraic) Its a case of not ’just’ deep house as such but its us playing and being interested in proper un- cheesy dance music, House, Disco, etc. When we DJ in Limerick for example we have played funk and Hiphop in Mickey Martins and then played a live set of house in the Trinity Rooms then theres different stuff on the menu again when we play in Bakers and the Wicked Chicken....
(Mark) Good music becomes a genre because it stands the test of time and thats whats all about .
Cheebah: Looking back at a time when the idea of Dance music in irish venues became established as an entity in its own right and not just a substitute for live / show band gigs (in the 90s ) people like yourselves with the likes of Greg and shane in Cork were on the ground ready and willing to put the work in to maintain a scene. A scene which is possibly taken for granted sometimes today.
(Padraic) Right, Well, theres people all over the country who were there from the start and who are still active today and thats important . People like Billy Scurry, Declan Cominisky, all those guys in Dublin for instance. Also if you care about the music you need to play and promote it properly . We did care from the beginning and worked many jobs to support it. it is possible to be that committed its not just a fly by night ‘oh im just a dj ‘for as long as the trend lasts thing. You might not make a sole living from it but its do- able.
Cheebah: You cant take any scene for granted, as obvious as it appears the promotion is equally as important as the sound.
(Padraic/ Keith) No,you cant take anything for granted. Theres so many music trends currently circulating that could just take over the space if you stop what your doing, and some of those trends are not necessarily good. In accessing music these days every thing is instant, so if you take your eye of the ball its gone!
Cheebah: Thats taking responsibility, Quality control. On the instantaneous thing, everyone seems to be making accelerated ‘Tunes’ these days.
(keith) There are some terrible things out there!
Cheebah: Can i expand on this. With access to, say an influential DJ's current playlist on a specialist net radio show combined with affordable deck technology and beatport for example, it sometimes happens that any guy (and its always a guy) can decide to play for a crowd as an approximation of say Sven Vath or Joey Negro .
(Mark) Superficial acceleration. What that means is that someone is replicating what the source dj has done and then when they play themselves they are not in any way replicating what they have done themselves.
(Padraic) Or spent the time in researching the music and culture. For example DJ's who were seriously into the Detroit experiment, people like DJ Deep,when he was a kid he actually went to Detriot to live with Derrick May. He went there to totally immerse himself in it. Kids who now download a set or parts of it just to think ‘I'm as good as him’ should know that's not the way it goes. I was a judge at a DJ competition 2 years ago and 4 out of 5 guys played almost identical sets, all downloaded it just became boring.
(Mark) Of course what they are not downloading is the vibe in the room on the night or what the crowd were like with the ebbs and flows of the dancefloor .The whole package.
(Keith) The whole experience. Its something as a DJ you are constantly learning. Your best record in a club one night may be the same one that clears the floor in the same place the following week! Its all about timing as well learning to read bodies on the dancefloor.
Cheebah: Keith, myself and yourself were Judges at a competition about 9 years ago. This guy stepped up and for his 15 minutes on the decks he just stuck in (and hid behind) a Richie Hatwin live cd!
(Keith) Yeah! And when i spotted it he begged us not to tell his friends who couldn't believe that he wasn't the winner! Hilarious.
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